Sunday, February 11, 2007

sad & warm


# 3 Gold

Starflyer 59 (tooth&nail, 1995)


This album came out right after I got my license and found a home in several places; my/grandma's '78 Malibu and in my headphones as I lay down for sleep. In my post about Silver I talked about my introduction to shoegaze. Well, this album has defined shoegaze and rock for that matter since I first heard it. Following on the heels of Mercury my ears did in fact get lucky twice in the same year, but in a 'messed up' way. Boy did I Need this album at the time and still do today. I just can't believe I put the walls of feedback and overdrive into my ears night after night as I tried to fall asleep. I was 16 years old and though a lot of things were indeed a mess all around me, I wasn't supposed to acknowledge it.

Well J. Martin wrote about 'feeling the mess' and being miserable in a most naked way. Supposedly he spent a month pretty much alone in the studio making this and at one point didn't see the sun for a week. Much like Dungen's Ta Det Lugnt, rock genius seeps out in times of turmoil (and heavy drug use). 11 songs of feeling down because old friends have gone, times have changed, and no one seems to care. But he did put out the invite for those feeling miserable to take a walk his way (2 of my grandparents died in '95). Alright then... right there was my home, in amongst the sweetest overdrive, feedback, tremelo, solos, and dead drums I have ever heard.

I've never heard a more menacing song than 'Dual Overhead Cam' with its dynamics and bass and soloing and ear-splitting feedback. As with most of my favorite albums, there is mystery aplenty within the lyrics and even in the tones of the solos as well. No song is bombastic in that he tries to outdo himself; no, the freakouts are lazy and thick. And when he again hits the stompbox, the melodies are gorgeous. What else? This track order is my bench mark for how to make an album seamless, and I haven't listened to much noise/rock since then because of it. I had the original cd and always thought there was a perfect 1st half (1st 5 songs) and even better 2nd half (last 6). Then he released it on record with the division b/w those songs and I knew I had a treasure.

It was the first record that I bought as I didn't even know that bands still made records. My dad soon after gave me his record collection and Gold is the only record of mine that holds a place in his record box. Family members then starting asking me and C.Ultra in a 'you know they make cds now' tone; ''who still makes records?' Thats where that love began. It's odd that as much as I can't stand 1 word song titles, 'Indiana' with its "baskin in the blue skies of your eyes" takes the cake. At this point I can't really say anything. Do I need to mention how the last song 'One Shot Jaunita' is the best closing track ever and how strange it is and how at the 3:10 mark the 3 soloing guitars....This was my favorite for a decade, and if you ask me on the right day, I'd have to say it still is.

4 comments:

daniel said...

i love background like this...

i don't think i knew that the malibu belonged to your gma. man...that was a thing of beauty. and i mean that as sincerely as possible.

Big Cougar said...

This has been my favorite post of yours so far. Some things stay sad and warm and messed up forever. Thank God.

Lucky Strikes said...

I knew it was coming and it's still a breath of fresh air. I'm listening again today. Dual Overhead Cam might have been one of the most unique and amazing songs I've ever heard on first listen (up there with Everything In It's Right Place). I remember the good ol' "Indiana" days in the Malibu. At one point you used to think that would be your wedding song...

Country Roads said...

I enjoyed the comments, I haven't heard the song Indiana before... Our next visit, J. Cash may have to wait..